IIN e w W o r k s :
II
International Festival / Symposium of Sound and Experimental Music
11th - 13th April 2003
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T h e m e :
"aLTERNATIVE, Aesthetic and Technologic Issues Pertinent to Sound"
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Ve n u e :
Interdisciplinary Centre for Scientific Research in Music (ICSRiM),
School of Music,
University of Leeds,
West Yorkshire,
Leeds LS2 9JT,
UK.
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T o p i c s :
Sound, Music, Noise, New Noise, Silence, Aural Perception, Hearing, Healing, Tactile-Sound, Vibrosound, Sonic Metaphors, Multi-Sensory, Post-Digital Music, Post-Computer Music, Analogue, Digital, Digilogue, Electroacoustic, Composition, Improvisation, Interaction, Diffusion, Interface, Interest, Sound in Theatre, Theatre in Sound, Humour in Music, Audience, Artist, Sensitive Systems, Soundscape, Acoustic Ecology, Acoustic Archaeology, Environment, Live Performance, Listening, Recording, Memory, Resistant Materials, Phonic Invention, Sonic Innnovation, Acoustic Intervention, Software, Hardware, New Products, Machinations, New Music, Acoustic Music, Signal Processing, Experimental Musical Instruments, Adapted Electronics, Circuit Bending, Spoken Word, Unspoken Word, Ambisonics, Multi-Channel Audio, Surround Sound, Space, Place, Architecture, Ultrasound, Infrasound, Redundant Technology, Appropriate Technology, Found Object, Sonic Object, Subject Vs Object, Practice-Based Research, Aural Abstraction, Audio Image, Sonic Art, Speech, Movement, Eurhythmy, Symmetry, Binary Form, etc.
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F o r m a t :
Papers / Performance / Film / Installation
Submission Details / Deadlines
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Attendance Fee / Registration Form
Review Team / Advisory Committee
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(Click here for details of MAXIS 2002)
M A X I S
Music Alternative and X-disciplinary approaches In Sound
a.k.a Mutual Appreciation and (X) networking In Sound